Last night as I was poring through my collection of gardening catalogs, tearing at pages with white flowers mostly: roses, irises, magnolia. . .I was thinking about the mixed media piece I wanted to finish, but also getting an itch to paint again. So now I’ve taped more photos over the drafting board and small easel, assembled my brushes and paints. . .the prints from Chagall and Degas are permanent fixtures. Sometimes I add or subtract things, but the photo(s) in the bottom right corner is/are always changing from project to project. Mother Nature has a way with the arrangement of color and line and I like to follow her suggestions for abstract.
This is almost a spiritual activity for me. I am particular and superstitious about these two things; the same way a little kid can be vigilant about avoiding cracks in the sidewalk, I am persistent about avoiding a naked workspace. After I finish one project and clear the easel or table, I go to the basement and take out a new canvas or wood panel. . .depending on the project, a sheet of Arches, Canson Mixed Media or Mei Teints paper. I may not touch that blank slate for days; nevertheless, I find its placement necessary. It’s my dreaming time, a time for walking past the table or easel and imagining the possibilities.
In the same way, I also like to have drafts of poetry or blog posts accessible. . .folded fabric and patterns. . .the spices set out for a dish I plan to cook.
I need to rest in between projects as well. I have to crash. . .to sleep for hours and hours, I guess to incubate and charge my batteries. I think perhaps it’s part of what we do as artists, these periods of intense creating followed by quiet time. Perhaps it’s just mania followed by depression. ..I’m not sure. . ..the scariest feeling being the one when I fear the sleepiness won’t go away. ..I won’t ever write or paint again. ..or be able to stay awake.
And on this final note, I will end with an amazing clip of Tom Waits reading Charles Bukowski, two of my favorite artists, guys who are quite familiar with the reality of the outsider stance and the very real feelings that lead to it. I hope it inspires you. . . .